Friday, April 9, 2010
New Blog site
Saturday, November 21, 2009
Another music blog post. Sue me!
1. We are lazy
I consider the golden era of rap to be 1994 -2004. During that time, countless 'damn good' to 'classic' albums were released. Let's take a random time frame from that period; summer 1996 - summer 1997. Jay-z dropped 'Reasonable Doubt'. Nas dropped 'It Was Written'. Outkast dropped 'ATLiens'. Big dropped 'Life After Death'. 2pac dropped 'The Don Killuminati: The Seven Day Theory'. And those are just the ones I can think of off the top of my head. Back then, there was a different power player releasing a quality album each and every Tuesday.
And truth be told, things aren't that much different these days.
There is still plenty of quality music being released in 2009. The names may not be as recognizable, and we may have to look a little harder, but it's out there. Part of the problem is that, as consumers, we've gotten lazy - spoiled by years of an over abundance of hot shit. We don't want to take the time to weed through the Soljia Boys, D4Ls and Gucci Manes to get to the Killer Mikes, J.Coles and Joe Buddens. So what do we do instead? We bitch and whine that there isn't any good music out there. And what happens when we finally DO get off our ass and find the quality hip hop we're looking for?
2. We don't support good music
Picture this: You go in to work tomorrow and your boss calls you in his office. He tells you that you will no longer be getting paid for your services. Would you keep that job? If so, would you still work as hard at your job and continue to produce the same quality day in and day out? Well that's the message that we send to artists whose music we like when we download their music, as opposed to buying it. We tell them that they can put their blood, sweat, tears and labels money into a project, and the consumers (their FANS, no doubt!) will undercut them at every turn by stealing that music. So why would they continue to put such effort into making that music? They wouldn't. This results on two things:
A) Some artists compromise their art in an order to make up those funds. They start seeing that as long as you make simple club records and records geared toward women, they will actually SELL some records. So you see Sheek making 'Hood Love' and T.I. telling women 'You can have whatever you like!'. Good records? Yes. But also uncharacteristic of the artists.
Or
B) Artists start to generate income outside of music. We've been begging Dre 3000 to feed us with a solo rap cd. But as a man with a family, bills and activity above the brain stem, why would he lock in for six months, spend thousands on studio time, make an album, release it and have his 'fans' download it for free, as opposed to coughing up $12? Especially when he can shake hands with a Hollywood big shot and get a $2 million check to do a movie. Financially, music seems to be a less than viable option. We need to make it profitable for artists again.
And when I say 'we', what I really mean is 'you'. Because I support my favorite artists (for the most part). I BOUGHT Jay's Blueprint 3. I BOUGHT Slaughterhouse. I BOUGHT Killer Mike's 'I Pledge Allegiance to the Grind 2'. If I hadn't, I wouldn't have the right to complain. See proof below:
3. Marketing departments from music labels are very good at what they do
They're so good that they routinely convince us what artists we should like. Don't get me wrong; there is nothing wrong with commercial music. My favorite rapper is Jay-z, for Pete.s sake. Can't get much more commercial than that. But my point is that there is music and artists out there other than what you hear on the radio. For example, I'm pretty sure there is a good portion of the population that have never heard a Killer Mike record other than 'Adidas' or 'Akshon'. And have never heard a Joe Budden record besides 'Pump it Up'. But these are two of the most skilled, intelligent, hungry MC's doing it today. But you probably wouldn't know it, just judging of those singles. Now, they have gone the indy route and are consistently dropping quality music. But you won't see them on 106 and Park. Their records will never get a million spins a week on radio. And unless you actually WANT to know when they have shit dropping, they could release an album without you ever knowing.
My point?
Stop letting labels tell you who you should like and actually open your ears, let the music speak for itself, and make up your own mind. And don't let the fact that major labels aren't behind a certain artist cause you to not get behind them either. Quality is quality, whether it comes from your favorite super star rapper who has 3 million fans and always goes plat, or from the dude that only has a hardcore fan base of 200,000 who fuck with him regardless, but isn't on a major label.
That's pretty much it.
Saturday, November 14, 2009
'Nigga, please!'
Wednesday, October 14, 2009
The Writing of 'HR' - Vol. 4
Thursday, October 8, 2009
The Writing of 'HR' - Vol. 3
Monday, September 28, 2009
MrYoungGun's plan to fix this country in 8 easy steps. Well...easy-ish!
1. CLOSE THE EDUCATION GAP:
Monday, September 7, 2009
The writing of 'HR' - Vol. 2
So here's the deal...even though I've written a few screenplays at
this point, I still like to play around with different methods and
habits. For example:
1. I usually create a fairly detailed outline before I type 'fade in'.
A brief description of each and every scene that I need to write. With
this project, I'm kinda just compiling a list of things and ideas that
need to be explored in each act. How I'll convey those thoughts and
feelings and thematic ideas through my characters is something that
I'll just let develop on it's own through the course if writing.
2. I usually write very methodically. 'Methodically' being a euphemism
for 'slowly'. This time, I think I'm gonna write the first draft hard
and fast. Within a month, if possible.
At this point, I've got most of the story down in my head and a
general direction of how I want things to go. Within a week, I should
be ready to actually start writing. Hopefully, once I get started I
won't be able to stop. I'm pretty excited about the prospect of what
this script can be.
Until next time...
HIP HOP LYRIC OF THE DAY:
Nowadays everybody wanna be a rapper/ about two years ago everybody
was a trapper/ obviously money us what everybodys after/ tell me
what's going on, I could really use some answers
-Generation Lost, B.O.B
Saturday, August 29, 2009
The writing of 'HR' - Vol. 1
Wednesday, July 29, 2009
Child of Hip Hop
went to Candler Road flee market. I stopped at the first bootleg music
stand, excited to cop my first piece of music with my own money.
Before this, it was shit that I borrowed from friends and shit that I
recorded off the radio. Dude was having a 2 for $10 sale so I browsed
around, looking for one thing in particular...and whatever else
tickled my fancy. I left an hour later with Goodie MOB's Soul Food and
Too Short's Gettin' It. Cassette tapes, of course.
I was eleven years old then. Fifteen years later and there are few
things I look forward to more than hopping in the Impala, shooting
over to Best Buy and copping that new Jay-Z or that new Outkast or
that new Nas. I've got an ongoing love affair with hip hop. And I
don't see it ending anytime soon. No matter how old I get. My tastes
may change. But not my love of the artform. And here's why...
Through hip hop, I've made a lot of friends. Good friends. Close
friends. Whenever I'm riding high off of something I've accomplished,
feeling myself too much, my nigga Jay-Z comes along and reminds me
that 'success is like lust...it's good to the touch...it's good for
the moment...but it's never enough'. When this kid Doug that I went to
school with was pushing my buttons, my man Styles reminded me to 'show
him ya gentleman first. If he don't respect that, then show him ya
gangsta!'. When I'm procrastinating on shit I know I need to get done,
Pimp lets me know that 'one day ya here, next day ya gone'. So I get
busy building my legacy.
Hip hop speaks to me; and I speak back.
A few weeks ago when m Michael Jackson died, I saw a lot of people on
television crying. Apparently they we so touched by Michael Jackson's
music that they felt that their lives would never be the same. Me? It
took me by surprise at first. But a few hours later, I was over it. In
fact I was irritated that coverage of his death seemed to be on every
channel that I turned to. I was 13 when Tupac got shot the second
time. I remember coming home from basketball practice everyday, and
turning on the news, sure I'd see that he had come out of his coma. I
figured it was only a matter of time before he was back to his old
self and making records a out how 'real niggas don't die!'. When he
died, it fucked me up for a while. I had lost a friend; someone I
could lean on when times were tough. Michael Jackson might have been
the 'King of Pop' but Pac affected me on deeper level. The power of
hip hop.
No other artform is more taylor-made for people like me. People who
came from little or nothing. Underdogs who are determined to make
something of themselves. The love affair has been burning hot for a
long time. And it won't be cooling off anytime soon.
HIP HOP LYRIC OF THE DAY
I'm in my 20's so a new Nas joint used to give me the chills!
-Joell Ortiz, 'This is hip hop'
